There is no (real) battle for supremacy as far as music from the street goes. Olamide is the overlord and he reigns supreme while other indigenous rappers tussle for leftover titles. Olamide occupies the influential positions that there is in ‘street music’ – he is the ‘voice of the street’, ‘the King of street’ and ‘baddest (perhaps greatest) guy ever liveth.’
Apparently, the King of the street is content with the territory he commands. On several occasions, he has maintained that he won’t go out of his way to appeal to the international community – indeed, but what if international success was freely given and not needing strategic planning or extra effort, would Olamide still say no to awoof?
Olamide is taking a conservative approach to this international market penetration and it is understandable considering that it seems better to have an egg today than a hen tomorrow. Olamide has a firm grip on the local market but some observers believe he is not just ‘street material,’ they say he is Hollywood material and they would rather bet on him to ‘blow’ on the international scene than on Barcelona in an El-Classico match. MMG rapper, Wale is one of such persons and he seems to see an international worthiness in Olamide. Thus he has given the YBNL boss opportunities to make a claim for international exposure not even once nor twice, but multiple times even, yet the YBNL boss chose to stay ‘street’.
Here is a list of 5 times Olamide had the opportunity but failed to impress the international community:
NAIRALAND FORUM
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